Language of Unity: Part 6 - Heart Virtues

If we experience the Heart Virtues not only as emotional states but also as elements of the Language of Unity, which are:

• Eternal
• Infinite
• Universal

we perceive them much more holistically. We perceive them as the language of the Universe through which the Individual and the Universal are united in the eternal dance of intelligence.

At this level, we can perceive ourselves as a stream of vibrations that are encoded in a symbolic geometric shape - the sensar. This experience is hidden deep within us, waiting to be revealed through the mindful and persistent practice of the Heart Virtues in daily life - to merge with this stream of intelligent love to the point of realizing it as our innermost identity, as the following painting with text from James Mahu's book, The Dohrman Prophecy, communicates:

Painting with text from James Mahu´s book: The Dohrmann Prophecy

For a more detailed description of this experience, you can read chapter 51 of that book, entitled  "The Blue Man". For the purposes of this study, however, we will continue with a simple clarification of the intelligence of the single Virtues.

Appreciation:

• represents the fundamental connection to the unmanifested paternal principle of Para Vach
• the vibration of insight and clarity
• self-awareness: I am appreciation, which continues to expand
• the basic expansion principle, both into the microcosm and the macrocosm
• expands into the smallest details as well as into the macrocosm
• connects the Individuality with the Univers into a coherent whole in all dimensions
• forms a channel of nourishment and support from the Universe to the Individual
• activates and directs event chains

Compassion:

• represents the fundamental connection to the unmanifested maternal principle of Para Vach
• compassion for Mother Earth and all life forms
• takes the form of infinite maternal love and care
• compassionate vibration of love accompanied by the empathic willingness to nurture any form

Forgiveness:

• absorbs all the differences in the expressions and perceptions of individuals and thus unites them
• when there are no differences, there is no time and space to separate us 
• is the cure for all the limitations that have arisen as a result of the concept of separateness
• it brings a sense of surrender, of merging with the flow
• it often brings about a curvature of space-time and the opening of new inner dimensions
• re-establishes the vibration of Source Equality where there was separation through condemnation

Humility:

• dissolves the temporary ego that is based on self-importance
• paradoxically, it also dissolves self-abasement because it is a form of self-centeredness
• it brings a sense of Source Equality to individuals who exalt or diminish themselves

Understanding:

• constitutes self-empowerment through the expression of self-love: I am as I am
• self-understanding is self-acceptance and self-appreciation
• understanding is not a mental analysis, understanding is an embrace of the heart, a resonance of the heart
• towards others: the other is also a manifestation of the First Source
• brings the ability to appreciate the diversity of expressions and perceptions of individuals
• enables one to discern individual qualities of expression without accompanying judgment

Valor:

• to express oneself, to manifest the deeper levels of one's being
• to show wisdom of heart even when criticism and condemnation are imminent
• transform life patterns: emotional, mental, physical
• to experience new states even when the mind is unable to comprehend them
• letting go of the old and discovering the new

*  *  *  *  *  *

At a very subtle level, we can perceive the intermingling of the two principles that shape the intelligence of the Heart Virtues: expansion and integration. This is why the Heart Virtues are sometimes represented by the symbol of two interlocking triangles (or cones) - see the following diagrams:

The Symbol of Wholeness Navigator (Merkaba)
from WingMakers DVD Meditation in Spacetime

  

Image of Divine Love Structure from Living from the Heart paper

Looking now at the footage of the Cymatic video showing a drop of water animated by sound frequencies, we can better understand the archetypal geometry that comes to life before us (see the YouTube channel Journey of Curiosity):

The combination or alternation of the two principles of expansion and integration creates an infinitely repeating fractal pattern that includes everything in its presence. This is the Divine Love expanding and integrating as experienced in the Mandorla of Empowerment, which is the conscious intersection of the two principles (Sovereign and Integral).

The Mandorla of Empowerment from
the article The Sovereign Integral - A New Model of Existence

James describes the Mandorla of Empowerment as follows:

65. There are many forms of love. As any of us can imagine, this concept is fractal, just like the concepts of Sovereign and Integral. It is a space that is the intersection of Sovereign, Integral (dual manifestations), and Sovereign Integral (non-dual). This space of intersection, this Mandorla of Empowerment, is love in its purest knowable form. Its primary characteristic is the integration of parts of the self that are separated through duality while allowing free will. This is love and intelligence.

Mandorla of Empowerment is the consciousness of love, which consists of three parts: the Sovereign, the Integral, and the Sovereign Integral. It is the broadest, highest, deepest love knowable by human beings in the early 21st century. The experience and manifestation of this mandorla is the fundamental purpose woven into the DNA of the Sovereign.

James Mahu: The Sovereign Integral - A New Model of Existence, paragraph 65

This experience is vividly illustrated by the main protagonist Kamil in The Dohrman Prophecy book, who says:

"I am this, thought Kamil. I am composed of this, only this. This is underneath all the membranes I wear. I am these codes. I am the language of symbols. I am the unborn meta-image that exists in all places, in all times."

With this beautiful quote from James Mahu's book, we end today's episode on the Heart Virtues. 

In love and free will

Ondra

Language of Unity: Part 5 - Sixty-three words

In this part, we will take a closer look at the 63 combinations of the Heart Virtues that are related to the structure of the Language of Unity. We begin by studying the following diagram from WingMakers.com:

The Heart Virtues is an interwoven, continuous intelligence and springs from a common center where Love is in the form of white light. If we look into finer details, in the region of the scheme of the virtues which is close to the center, the individual colors are lighter, while at the edges, nearer the circumference, they are darker and more saturated. When the colors are near the center, they are whiter to the point of being unified into white light. At the periphery, they are then more separated into the individual color spectrum.

There are a total of 63 combinations of the Heart Virtues:

• single virtues - 6 options
• pairs of virtues - 15 options
• triplets of virtues - 20 possibilities
• quadruple of virtues - 15 possibilities
• five virtues - 6 possibilities
• all 6 together - 1 possibility

So when we consider these 63 combinations of the Heart Virtues, it is clear that the most universal, i.e., the strongest action, will be the combination of all 6 intelligences together, because it will be closest to the white light. Slightly less powerful will be the Five Virtues, even less the Four, then the Three, the Two, and least powerful are the individual Virtues manifested separately.

The reason for this, among other things, is that when more than one Virtue is absent from the manifestation and only one is present, for example, its power is weakened because of the too-asymmetrical spread of love from the center of the scheme in only one direction. This causes a distortion in the geometry of the spread of light and it becomes progressively less coherent and less harmonious. 

James describes this in the concept of Living from the Heart as follows:

"Emotions, if they are non-coherent, radiate in all directions as energy, creating an imprint in the space or field of our perception. Sometimes this imprint is beautiful, like a glittering sunset - if the emotion is soft and light; and sometimes it is more like a violent storm if it is anger or depression. When our emotional energy is unified into coherence, it can be transformed into a state of higher functionality like a laser, and its reach goes far beyond the range of our senses; indeed, it can touch the outer edges of our world or delve deeply into the inner realms of the soul."

"A key element of practicing when-which-as is coherence, for the reason that the manifestation of the six virtues of the heart creates coherence and the accompanying ability to radiate your emotional energy toward your intended goal, wherever and whenever it may be. This is the reach of the soul - into the heart to the mind to the heart to the outside - in this circle, emotional energy becomes the unifying force that unites the individual with the community of humanity and even more generally with all living forms."

James Mahu - Living from the Heart

The key element in maintaining emotional coherence is the Unconditional Manifestation of the Virtues. If the mind begins to place conditions on when the Virtues can be manifested and when they cannot, there will be a loss of coherence. Some of the Virtues will not be allowed to manifest and thus others will be weakened or distorted. The harmony in the field of vibration will be disturbed and the expansive capacity of love will be weakened.

If we help ourselves with the Flower of Life scheme, we could say that the places where the mind begins to impose conditions will be the places where the geometry of the Flower of Life will be distorted to the extent that its structure will disintegrate under the influence of superficial motives and will be replaced by another geometry that lacks deeper harmony and expansive capacity.

* * *

In such places, the heart-mind system becomes out of tune and loses the ability to transmit the soul vibration from the inner to the outer world. The Language of Unity is lost or obscured by the language of the mind - a system of superficial values driven by selfishness, self-centeredness, greed, hatred, etc. To prevent this from happening, it is necessary to keep the Communication Zone of the human instrument in a state of Harmony. We talked about this in the last part.

However, even the relatively weaker combinations of the Heart Virtues - whether in triplets, pairs, or individually - have their place in manifestation and can even be more effective in the material world because they are lower in vibration and connect better with the material world.

Therefore, all 63 combinations of the Heart Virtues can be seen as a system of vibrational language, a system of vibrational communication (remember the Vibrational Coherence diagram) that needs to be completely mastered. We do not get by with only certain combinations, just as in spoken language we do not get by with only certain words. We need to have a rich vocabulary and the ability to form sentences and coherent speech from words to communicate well.

The Heart Virtues and their 63 combinations form the structure of the energetic transmissions of the signal of the First Source to the external environment and are therefore closely related to the structure of the Language of Unity, which represents the symbolic presence of the First Source in all of Creation.

When we look at the practice of the Heart Virtues from this perspective, we already understand that it is an all-encompassing concept. There is no need to look for other, complementary concepts. The intelligence of the Heart Virtues is infinite in its reach. If you feel that there are places or events where the Heart Virtues cannot reach, it is only because you do not sufficiently understand the depth, breadth, height, and power of their intelligence.

If you reach for other concepts in places where you feel the inadequacy of the Heart Virtues, it is only that you have not allowed the Heart Virtues the Unconditionality of their manifestation in your life. The solution is not to look for other systems, other geometries, or other languages to overcome this imperfection. The solution is to deepen the Unconditionality of the manifestation of the Heart Virtues, thus revealing their Universality, Infinity, and Eternity.

Image by James Mahu: The Collected Works of WingMakers, vol. I

We can now intuitively feel and understand the vibrational presence of these three Sensars of the Language of Unity.

This opens the door to our understanding of the meaning and communication abilities of the single Virtues.

This will be dealt with in the following part of our study.

In Love and Free Will

Ondra

Language of Unity: Part 4 - Senzars

Sensars as elements or insignia of the language of the First Source have the form of glyphs. Let us see what James answers to the question of what a Sensar is:

"The Sensar, in addition to being an alphabet itself, can be translated into encoded symbols that correspond to the nature of ideograms or pictograms rather than syllables. Senzar as a language was brought to Earth by the Central Race. The reason is quite simple. The language of pictograms can convey an extremely complex concept in a simple sign... Sensar is a language that flows between alphabetic signs, mathematical symbols, and musical notes. It is an integrated language, sometimes referred to as the Universal Language of Light or the Insignia of First Source."

James Mahu, Answers to Forum Questions, Section 3, Question 34

In addition to the fact that these sensars or glyphs appear in many places in James's paintings, the book Quantusum also contains a description of the experience of encountering them. This is the experience of the main character, Solomon, in Chapter 45, The Celestial Orb:

What I saw next was the most amazing thing I've ever seen. The light of the orb illuminated the whole lake, and I could see the whole lake under the surface, the water was transparent almost like air. The orb began to rotate very slowly, and as it did so, it sent out glyphs of golden light that traveled to the shore in about ten seconds. I watched as some of these glyphs came up close to my position underwater - they seemed to be alive, changing shapes as they passed through the water.

I needed to breathe again to keep watching, and before I started to rise up for air, I made sure there were no glyphs in my path to touch. I popped my head above the water, took a quick look around, took a deep breath, and went back below the surface.

The orb rotated faster and faster, and as it sped up, the number of glyphs it released grew exponentially. They were coming at me in greater numbers, and my efforts to avoid them were becoming futile. One of them whizzed just inches past me and I could feel and hear the subtle electrical charge it was releasing.

Then I noticed one hit me in the ankle on my left leg and I felt a surge of energy run up my spine and into my head. When this happened, I heard a sound similar to a slow sigh or an unspoken statement.

The orb continued to accelerate and the glyphs around me grew larger. Several of them touched my body. I wanted to climb out of the lake and get to the safety of the shore, but I was unable to move. I felt more hits and each time it happened I experienced an electric charge and heard a sound similar to a word that wanted to be spoken.

When more than a dozen of the glyphs touched me, I began to hear sounds that I understood to be words.

"Sovereign... Integral ... creating... expansion... activated... interface... source... intelligence..."

I could hear the words echoing in my head, coming from within, and each word reverberated like a huge gong being sounded by a mighty mace. When the glyphs touched my body, it was as if they transferred the sound of the words into my head and filled my brain and nervous system with them. I heard the words like separate notes, but I did not understand their meaning. 

James Mahu - Quantusum, chap. 45

The above-quoted description of the experience is an example of how an encounter and communication with the Wholeness Navigator can be experienced through the glyphs of the Language of Unity. This experience was also depicted by James in the DVD "Meditation in Spacetime", from which this screenshot is taken:

WingMakers DVD Meditation in Spacetime

A stream of glowing and sounding sensars emanates from the glowing golden "celestial orb" on the right side of the scene. This is, of course, the identity of the core of consciousness - the Wholeness Navigator, whose symbol may be, for example, the double tetrahedron mentioned earlier:

The Wholeness Navigator Symbol  - Merkaba
(WingMakers DVD Meditation in Spacetime)

In the animation on the DVD, we can see how this orb emanates in 6 directions (remember the hexagonal geometry of the Flower of Life) these glowing and sounding sensars or glyphs - the symbols of the language of Source Intelligence through which the Wholeness Navigator communicates. The glyphs are alive, glowing, sounding, and communicating - bringing their indelible message of light and love. In the previous part of our study, we explained the Cymatics principle that light and sound are connected, that light can be heard and sound can be seen. Sensars are just such symbols that integrate light and sound into a unified language.

Now let's look at what James says about Tributary  Zones and the art of WingMakers:

"The chamber paintings featured on the WingMakers website are translations of actual paintings that are stored in the Tributary Zone near the galactic core of the Milky Way. The original "paintings" are photonically animated with advanced technology that allows the art to behave intelligently in response to the music. In other words, the music is the engine that triggers the animation of the paintings. The original environment in which the art is stored requires that I, as a translator, capture a "snapshot" of the painting that best represents the dynamic art in static form. These original works are not "classified" by some government organizations. I can assure you of that. They simply exist in another dimension and are visible to the senses with a different scope. The DVD "Meditation in Spacetime" is an attempt to capture how the paintings actually behave in their natural environment."

QaA from the WM Forum, Section 3, James' answer to question 60

For a closer look at the experience of sounding light and glowing sound, we can also watch the following video from the field of Cymatic experiments, where the synchronization of sound and geometry of light dancing to the rhythm of music  is beautifully visible (Deva and Miten - Gayatri mantra):

This video brings us to the topic of chanting mantras, as a simple principle of working with sound and its archetypal geometry. James gives the following information:

"It has long been known in the field of esoterics that sound is the most effective way to get beyond separateness and reignite a sense of union in the heart-mind-body-soul system. Music, properly tuned and orchestrated, is like a needle and thread that stitches these components of the human entity together; not into an eternal union, but into a manageable formation and coherence."

"It is this formation and coherency that allows your spiritual work to come to the surface and blossom. Sound is the bridge that connects the "islands" of the heart-mind-body-soul system, unifying them into a single "geographical" system that serves the natural and original purpose of individualized consciousness."

"Spirit becomes matter through the vibration of sound; similarly, matter becomes spirit through the harmony of sound. It is a two-way energetic exchange - science is only beginning to understand it. Since prehistoric times, people have known that music changes the environment and our relationship to time and space; now science is revealing that music also changes our cellular structure, energy centers (chakras), and the coherence between the parts of our absolute self (the heart-mind-body-soul system)."

"Mantras, specifically when practiced in esoteric schools of sound and light, were designed to enhance the root frequencies or source vibrations that establish the unifying vibration of each human instrument. This unifying Source Vibration globally defines the descending form in which the human instrument manifests in the physical domain, as well as the ascension path along which it evolves."

"There are references in all religious texts, as well as in physics and cosmology, that describe the prime cause - Para Vach - whatever description they use. In the Bible, it is the Word that was the beginning; in the Upanishads, it is Nada; in the Koran, the Kalma-I-ilahi or inner sound; in Sufism, Hu; in Pythagorean philosophy, the music of the spheres; in Buddhism, the Fohat; in Chinese mysticism, the Kwan-Yin-Tien. Whatever its exact name or definition, it is the prime cause of all sound and light in the Grand Universe, which in turn is the prime cause of all manifestation."

"This connection is embodied in each of us. It is our source of pure vibration upon which we live as infinite beings. In the book Liminal Cosmogony, it is written: "The harmony of Light and Sound comes from the Hidden Father; it is the universal code of unity that is condensed into its Brilliant Children in the worlds of form." However, it is the worlds of form that can taint and pollute this connection and this subtle vibration; therefore, it is necessary to understand the basic concept of the Communication Zone."

"The basic rule of the Communication Zone is Harmony; appropriately tuned music can help create, control, and maintain this perception of harmony. When the Communication Zone is properly managed, it provides a buffer between the human soul and the worlds of form that attack it. This is a consequence of the density of vibration in the world of form, which unwittingly, in some cases even deliberately, reduces the vibrational range of the human soul vessel - the human instrument - to the vibrational range of matter."

"Sacred music, chants, mantras, and harmonic vibrations have a balancing effect on this vibrational density; they are the most powerful way to control and maintain the inner harmony of the Communication Zone that surrounds each of us. The voice of an individual chanting a mantra or the holy name of the First Source in a state of meditation is very powerful; especially when the individual actively imagines and visualizes the harmonious Communication Zone."

Coherence of Evolutionary Consciousness, Text to the Music of Hakomi 4-6

I will only add that in chanting mantras one works rhythmically with the breath (externally) and with the mental imagery (internally). This mental imagery relates to your own innermost self, the identity of the core of consciousness - however you choose to portray it. This mental image is a living representation of a harmonious unison that evolves with time. 

This concludes this part, in which we have gained a basic understanding of the essence of the Sensars, which is the harmony of light and sound that forms the structure of the Language of Unity.

In love and free will

Ondra

Language of Unity: Part 3 - Cymatics

The science of Cymatics studies the principle of the effect of sound on the shaping of geometric structures of matter. This subject is very much related to the Language of Unity, for the light body is the zygote of consciousness created by the union of primordial light and sound. This unifying principle is therefore the elemental intelligence that organizes all of creation. Look at the following diagram entitled Hierarchy of Vibration:

Hierarchy of Vibrations
(From "Coherence of Evolutionary Consciousness", WingMakers CD Hakomi 4-6)

The diagram comes from the text Coherence of Evolutionary Consciousness, a companion text to the WingMakers music CD Hakomi 4-6. This information is very relevant to the topic of the Communication Zone. The text states:

"In the study of the phenomenon of waves, which is dealt with in the science of Cymatics, it is known that sound waves have an effect on immobile matter, changing it into geometric or even archetypal forms. This same chain of cause and effect of sound waves on matter is what produces the effect at the atomic and cellular level of the human instrument. However, it is more than the mere physical effect of sound waves. There is a harmony inherent in sound that extends to frequencies higher and lower than the audible range of the human ear. These inaudible frequencies, however, affect the vibrational structure of the DNA of the human instrument, the mind-brain structure, and the central nervous system."

"The diagram of the Hierarchy of Vibration shows the overall interaction between the inner connection of individualized consciousness with the First Source (God), and its interface with the outer world of forms and vibrational densities. Spiritual sound helps to create a Communication Zone (interface) between the human instrument and the vibrational soup of the world of forms. This Communication Zone supports the human instrument in its mission and purpose, preventing contamination of its vibration as a vessel for the human soul and for the outpouring of the Sound and Light of the First Source, sometimes also called Para Vach."

"Para Vach is the primordial causal Sound and Light that transcends both manifestation and non-manifestation. It is the breath of the First Source behind the universe. The breath that creates, animates and sets in motion the vibratory substance of the matter. It transcends the manifestation of light and sound even when it exists in its purest and transparent state."

James Mahu - The Coherence of Evolutionary Consciousness

On the Internet, you can currently find very interesting information and documentary videos on the Cymatics phenomenon. They show the connection between sound and geometric patterns. Each tone corresponds to a certain geometric pattern, which creates the corresponding tone, e.g. on the surface of water or on a vibrating plate sprinkled with flour, sand, etc. Fine particles of matter are shaped by sound waves into archetypal patterns. These geometrical patterns are more or less harmonic depending on the pitch of the tone. It is also clear that there is a transition zone of "chaos" between two harmonic geometric patterns, where the entire geometric pattern is transformed into a higher-order harmony corresponding to a higher pitch. The higher tone corresponds to a more complex, complex geometric pattern. The following video illustrates this phenomenon well: 

Watching these experiments will give us a wonderful experience of hearing the images and seeing the sound. In other words, the neural connections and the corresponding brain centers that can perceive light as sound are activated. For example, we can get a basic understanding of the Cymatic Principle from this video captured by CymaScope technology, which can be viewed on the YouTube channel of the SoundMadeVisible website:

Another nice artistic video of images of geometric patterns formed by piano tones and captured by CymaScope technology can be viewed on the same channel:

Another video by SoundMadeVisible depicting the sounds of the organ and choir at Trinity Episcopal Cathedral is also very nice:

There are many videos on the internet on this topic, but not all of them are created in such a way that the sound heard corresponds to the pattern seen. Sometimes these "Cymatic" artists, in the post-production of the recorded audio-video, edit the video in such a way that the synchronization of sound and image becomes out of sync and the heard does not match the seen. If you compare the experience of such a video with another one where the synchronization of the auditory and visual perception of vibration is maintained, you will very well realize how pleasant and harmonious this synchronization is and opens new brain centers of perception. As you watch more kymatic videos over time, you will immediately recognize where this synchronization between sound and image is maintained and where it is not. This clearly shows that we can perceive and discern this harmony in the field of vibration. And this means that we are also able to create it. And not only as "Cymatic" artists in the creation of audio-video recordings but especially as Sovereign Integral artists in everyday life. Recall the diagram Vibratory Coherence:

Vibratory Coherence from SovereignIntegral.org website

It proves that we can recognize and maintain harmony in our field of vibration: body-emotion-mind, and by expanding this channel of coherence to activate the unified intelligence of the white light of the Spiritual Center, which is the access portal to the consciousness of the Sovereign Integral.

Listening to the WingMakers music CD Grand Portal, which supports the Sovereign Integral consciousness experience, will certainly help in this process. About this music, James notes:

"In the emerging science of Cymatics, it was proven that sound waves create geometric shapes in matter. In the science of multidimensional reality, yet to be discovered, waves can be shaped to enter bioenergetic fields and catalyze biochemical processes, restore cellular health, and trigger the encoded electromagnetic fields of cellular Central Nervous System (CNS) functions."

"Certain acoustic and scalar vibrations cause the helix in the DNA molecule to unwind, the DNA backbone to expand, and the affected bases to become more accessible for pairing and activation. This particularly applies to what scientists call "junk" or unused DNA. Sound frequencies can be shaped to penetrate the DNA molecule to reach and activate nucleotides and, if necessary, associated nerve cells."

James Mahu - Commentary on the Grand Portal CD music

Cover of the CD The Grand Portal

So much for now on the subject of Cymatics. Later we may develop it into further context and details.

In love and free will

Ondra